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Page from the manuscript of the Requiem: In paradisum, m. 413, Bibliothèque Nationale, Paris. Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation.
Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically ...
Op. 48 Requiem in D minor (1877, rev. 1887–90, orch. 1899) Op. 49 Petite Pièce in G for cello and piano (c. 1888) now lost Op. 50 Pavane in F-sharp minor (1887)
The settings of the Requiem Mass by Marc-Antoine Charpentier (H.234, H.263, H.269, H.427), Luigi Cherubini, Antonin Dvořák, Gabriel Fauré, Maurice Duruflé, John Rutter, Karl Jenkins, Kim André Arnesen and Fredrik Sixten include a "Pie Jesu" as an independent movement. Decidedly, the best known is the "Pie Jesu" from Fauré's Requiem.
In paradisum deducant te angeli; in tuo adventu suscipiant te martyres, et perducant te in civitatem sanctam Jerusalem. Chorus angelorum te suscipiat, et cum Lazaro quondam paupere æternam habeas requiem. "May the angels lead you into paradise; may the martyrs receive you at your arrival and lead you to the holy city Jerusalem.
Fauré in 1907. The French composer Gabriel Fauré (1845–1924) wrote in many genres, including songs, chamber music, orchestral pieces, and choral works. [1] His compositions for piano, written between the 1860s and the 1920s, [n 1] include some of his best-known works.
"Libera me" ("Deliver me") is a responsory sung in the Office of the Dead in the Catholic Church, and at the absolution of the dead, a service of prayers for the dead said beside the coffin immediately after the Requiem Mass and before burial. The text asks God to have mercy upon the deceased person at the Last Judgment.
This sound recording is not protected because it was published in the European Union more than 50 (Directive 2006/116/EC) or 70 years ago (Directive 2011/77/EU) and the rights of its performers and producers have expired
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