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"Live Forever" is in the key of G major (varispeeded up by less than half a semitone during mixing) and is based on a G–D–Am–C–D chord progression, with the G chord becoming an Em during the pre-chorus, though the key changes to A minor following the last chorus. The vocal melody only consists of a few notes.
"Live Forever" is a song by English singer Liam Payne featuring American DJ trio Cheat Codes for Payne's debut studio album. It is the seventh single from his debut studio album LP1 (2019). The song accompanied the album's release on 6 December 2019.
Country music blog Taste of Country reviewed the song positively, complimenting the anthemic nature of the song as well as its "big", "vivid" sound. [1] In a starred review for Digital Journal, Markos Papadatos praised the trio for trying something new and noted the singles is "good regardless" of their shift in genre; he rated the song four stars out of five. [6]
Live Forever (Matthew West album), 2015; Live Forever (Bartees Strange album), 2020; Live Forever – The Album, a 2007 album by Magnus Carlsson; Live Forever: September 23, 1980 • Stanley Theatre • Pittsburgh, PA, a 2011 live album by Bob Marley; Live Forever (Lil Peep mixtape), 2015; Live Forever (Jett Rebel album)
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Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e
"Live Forever" is a song written by Thomas Thörnholm, Michael Clauss and Danne Attlerud, and performed by Magnus Carlsson at Melodifestivalen 2007. Participating in the semifinal in Örnsköldsvik on 17 February 2007, it ended up 5th, which meant it was knocked out. It also appeared on his 2007 album Live Forever – The Album. [1]
To build chords, Fripp uses "perfect intervals in fourths, fifths and octaves", so avoiding minor thirds and especially major thirds, [64] which are slightly sharp in equal temperament tuning (in comparison to thirds in just intonation). It is a challenge to adapt conventional guitar-chords to new standard tuning, which is based on all-fifths ...
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