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The Twin now had an onboard spring reverb tank and was renamed the Twin Reverb. The Fender Twin Reverb is considered a standard model for players seeking a clean sound, and it is especially known for the quality of its built-in spring reverb. Two transition prototype 1963 Twin Reverb amps have been found in both brown and blonde Tolex covering.
Download as PDF; Printable version; In other projects ... Fender Princeton Reverb; S. Fender Super; Fender Super Reverb; T. Fender '65 Twin Custom 15; Fender Twin;
In 2013, Fender released the silverface '68 Custom amplifiers as a part of their Vintage Modified series, modeled after the original drip-edge silverfaced amps of 1968. Models included the Twin Reverb, Deluxe Reverb, Quad Reverb, and Princeton Reverb, and a Vibrolux Reverb was added to the line the following year. Each amp incorporates reverb ...
The Vypyr series of amps are modeling amplifiers. They generate different amplifier sounds based on digital models of various popular amplifiers. The models include Fender twin and deluxe, Mesa/Boogie Rectifier, Diezel Boutique, Krank Krankenstein, Vox AC30—and a large collection of Peavey amps like the 6505, XXX, and JSX.
The Vibrosonic Reverb was a guitar amplifier made by Fender.This silverfaced guitar combo was basically a master volume Twin Reverb equipped with a JBL D-130-F 15" speaker. It was available with 100 watts RMS of power with a 1960s "tailed" Fender logo before its change to a 135 watts RMS combo featuring a "tailless" Fender decal in 1977.
Both were hand-wired, but the newer version was designed by Paul Rivera, who Fender hired to redesign a number of amp models during the decade. The new Concert put out 60 watts into a single 12" speaker, and featured both clean and overdrive channels, a standard channel switch pedal, and traditional tank reverb.
Later Fender amplifiers used a different presence control. The presence control on the 1975 Fender Super Twin did not modify the negative feedback loop, but was an active equalization circuit, controlling the 3.9 kHz frequency range. It had the ability to both amplify (boost) and attenuate (cut), unlike the earlier presence control.
The Reverb product line evolved from the Hammond Organ Company, where the Reverb was originally used in organs. The company later began marketing the unit to amplifier manufacturers. In 1962, Leo Fender, introduced what was then called the "Hammond Reverb", in Fender's, now legendary, "Twin Reverb" amp. This established reverb in guitar amps ...