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Finger substitution is a playing technique used on many different instruments, ranging from stringed instruments such as the violin and cello to keyboard instruments such as the piano and pipe organ. It involves replacing one finger which is depressing a string or key with another finger to facilitate the performance of a passage or create a ...
The substitute chord must have some harmonic quality and degree of function in common with the original chord, and often only differs by one or two notes. Scott DeVeaux describes a "penchant in modern jazz for harmonic substitution." [8] One simple type of chord substitution is to replace a given chord with a chord that has the same function.
In string piano pieces that call for the performer to sit at the keyboard, the keys may be depressed and held down silently with one hand to create chords, including tone clusters, that are played by the other on the strings; use of the sustain and soft pedals offer additional variations to string piano playing. For string piano pieces in which ...
In notation for keyboard instruments, numbers are used to relate to the fingers themselves, not the hand position on the keyboard. In modern scores, the fingers are numbered from 1 to 5 on each hand: the thumb is 1, the index finger is 2, the middle finger is 3, the ring finger is 4 and the little finger is 5. Earlier usage varied by region.
One portion of the G ♯ key operated a string tuned to G ♯ and the other operated a string tuned to A ♭, similarly one portion of the E ♭ key operated a string tuned to E ♭, the other portion operating a string tuned to D ♯. This type of keyboard layout, known as the enharmonic keyboard, extended the flexibility of the harpsichord ...
There was an upright piano next to me, to the right of the bed by the window." McCartney quickly worked out the tune on the keyboard and used the placeholder words "scrambled eggs" to solidify it ...
Cross-stringing (sometimes called overstringing) is a method of arranging piano strings inside the case of a piano so that the strings are placed in a vertically overlapping slanted arrangement, with two heights of bridges on the soundboard instead of just one.
Almost all classical keyboard instruments are polyphonic. Examples include the piano, harpsichord, organ and clavichord. These instruments feature a complete sound-generating mechanism for each key in the keybed (e.g., a piano has a string and hammer for every key, and an organ has at least one pipe for each key.)