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  2. The Frogs Who Desired a King - Wikipedia

    en.wikipedia.org/wiki/The_Frogs_Who_Desired_a_King

    A tile design by William de Morgan, 1872 (Victoria & Albert Museum). The majority of literary allusions to the fable have contrasted the passivity of King Log with the energetic policy of King Stork, but it was pressed into the service of political commentary in the title "King Stork and King Log: at the dawn of a new reign", a study of Russia written in 1895 by the political assassin Sergey ...

  3. The Fable of Fox and Heron - Wikipedia

    en.wikipedia.org/wiki/The_Fable_of_Fox_and_Heron

    The frogs, disorganized and directionless, asked the god Jupiter for a king. So the gods threw down a log into the water. This log king was amiable and supported the frogs in their lounging. The young frogs, knowing nothing but the time of the log, sat upon the log and croaked to Jupiter about theirs woes with the government.

  4. August Wilson - Wikipedia

    en.wikipedia.org/wiki/August_Wilson

    August Wilson (né Frederick August Kittel Jr.; April 27, 1945 – October 2, 2005) was an American playwright. He has been referred to as the "theater's poet of Black America". [ 1 ] He is best known for a series of 10 plays, collectively called The Pittsburgh Cycle (or The Century Cycle ) , which chronicle the experiences and heritage of the ...

  5. images.huffingtonpost.com

    images.huffingtonpost.com/2012-08-30-3258_001.pdf

    Created Date: 8/30/2012 4:52:52 PM

  6. The Frogs (musical) - Wikipedia

    en.wikipedia.org/wiki/The_Frogs_(musical)

    Shevelove first wrote and directed an adaptation of The Frogs in 1971, while he was a graduate student at Yale University.According to Mary-Kay Gamel, "His central production concept involved Charon and Dionysos rowing across the Exhibition Pool in the Payne Whitney Gymnasium, while the Frogs, played by members of the Yale swimming team, swam around the boat."

  7. King Hedley II - Wikipedia

    en.wikipedia.org/wiki/King_Hedley_II

    King Hedley II is the ninth play in August Wilson’s ten-play cycle that, decade by decade, examines African American life in the United States during the twentieth century. Set in Pittsburgh, Pennsylvania in 1985, it tells the story of an ex-con in Pittsburgh trying to rebuild his life.

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