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An A-minor scale has the same pitches as the C major scale, because the C major and A minor keys are relative major and minor keys. A minor chord has the root and the fifth of the corresponding major chord, but its first interval is a minor third rather than a major third:
Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide ... minor: major — Minor pentatonic scale:
For example, the relative minor of C major is A minor, and in the key of A minor, the i, iv and v chords are A minor, D minor and E minor. In practice, in a minor key, the third of the dominant chord is often raised by one semitone to form a major chord (or a dominant seventh chord if the seventh is added).
The term Gypsy scale refers to one of several musical scales named after their support of and association with Romani or "Gypsy" music: Double harmonic scale (major), the fifth mode of Hungarian minor, or Double Harmonic minor, scale, also known as the Byzantine scale.
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
When the terms minor, major, augmented, diminished, or the corresponding symbols do not appear immediately after the root note, or at the beginning of the name or symbol, they should be considered interval qualities, rather than chord qualities. For instance, in Cm M7 (minor major seventh chord), m is the chord quality and M refers to the interval.
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Most of Haydn's symphonies in C major are labelled "festive" and are of a primarily celebratory mood. [1] Wilfrid Mellers believed that Mozart's Symphony No. 41, written in 'white' C major, "represented the triumph of light". [2] (See also List of symphonies in C major.) Many masses and settings of the Te Deum in the
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