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[1] [2] The term "thumri" is derived from the Hindi verb thumuknaa, which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs, especially from Uttar Pradesh, though there are regional variations. [3]
Geets are a significant part of Indian folk-literature meant for all memorable occasions, then they are known as lok-geets sung by different communities and sections of society. [3] These lok-geets include Chaiti, Kajari, Hori and Sawani. However, the boundary-line separating folk songs from classical songs cannot be easily traced and re-drawn. [4]
The post–World War II folk revival in America and in Britain started a new genre, Contemporary Folk Music, and brought an additional meaning to the term "folk music": newly composed songs, fixed in form and by known authors, which imitated some form of traditional music.
The songs have been known to portray a wide range of topics however, they are most commonly sung to a set of stock tunes that often portrays the love of the Hindu god Krishna and goddess Radha. [3] [4] The term rasiya is the Hindi word for “epicure” [5] which refers to the male suitors, or the god Krishna himself as
Book cover of Tales of the Punjab by Flora Annie Steel. Academic folkloristic research into and the collecting of the large corpus of Punjabi folktales began during the colonial-era by Britishers, such as Flora Annie Steel's three papers on her studies of local Punjabi folktales (1880), with a translation of three fables into English, [2] Richard Carnac Temple's The Legends of the Punjab (1884 ...
Although originally an oral tradition, the genre was incorporated into longer poems, epics and narratives by a number of Indian poets [8] across major Modern Indo-Aryan languages including—Hindi, Urdu, Bengali, Gujarati, Rajasthani languages, Bihari languages, Punjabi etc., and can be found in the folk poetry of the tribal people too. [9]
Tamang Selo is a musical genre of the Tamang people and widely popular amongst the Nepali speaking community in India and around the world. It is usually accompanied by Tamang instruments, the Damphu, Madal and Tungna. although modern instruments have found their way into the compositions these days [1] A Selo could be very catchy, attractive and lively or slow and melodious and is usually ...
Sua Songs. Sua songs are a popular type of folk song common in the Dantewada and Bilaspur districts of Chhattisgarh. The songs are intended to be accompanied by Sua dance performances. Sua songs or Sua Geet songs refer to folk music that is performed by the women of Chhattisgarh as a celebration of the harvest period.