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In 2000, a version of "Handbags and Gladrags" was specifically arranged by Big George as the theme song on the BBC series The Office. Three versions were recorded: a short, instrumental piece as the opening titles theme; a short, vocal piece as the closing titles theme; an alternative full studio version
The sheet music for "I Sustain the Wings" first appeared in the 1943 Glenn Miller's Dance Folio songbook, Mutual Music Society, New York. "I Sustain the Wings" is a 1943 big band and jazz instrumental co-written by Glenn Miller. The instrumental was the theme for the eponymous radio program broadcast on CBS and NBC from 1943 to 1945.
Surfing with the Alien (instrumental) T. Top Gun Anthem This page was last edited on 3 July 2020, at 11:08 (UTC). Text is available under the Creative Commons ...
This list of songs or music-related items is incomplete; you can help by adding missing items. (October 2021 This page was last edited ... List of instrumental bands.
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level [1] (or beat level). [2] The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be ...
In Popular Music Perspectives, edited by David Horn and Philip Tagg, 52–81. Göteborg and Exeter: A. Wheaton & Co., Ltd. Frith, Simon (1996) Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press. Holt, Fabian (2007) Genre in Popular Music. Chicago: University of Chicago Press.
The Glenn Miller Orchestra under Nick Hilscher performed the instrumental at the 44th Annual Glenn Miller Festival in Clarinda, Iowa held from June 6-9, 2019. [2] Jean Viardot recorded the instrumental in Paris in 2022. "7-0-5" was featured on the December 4, 1943 Uncle Sam Presents radio program as a "ride-out" and again on February 5, 1944 ...
The same year, Carmichael recorded an instrumental version of the song for Gennett Records. In 1928, Carmichael left Indiana after Mills Music hired him as a composer. Mills Music then assigned Mitchell Parish to add words to the song. Don Redman recorded the song in the same year, and by 1929 it was performed regularly at the Cotton Club.
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