Search results
Results from the WOW.Com Content Network
Pages in category "Japanese conceptual artists" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes. A.
Service worker in Tokyo, Japan. In Japan, a freeter (フリーター, furītā) is a person aged 18 to 34 who is unemployed, underemployed, or otherwise lacks full-time paid employment. The term excludes housewives and students. [1] Freeters do not start a career after high school or university, but instead earn money from low-paid jobs.
Yoshitaka Amano (Japanese: 天野 喜孝, born March 26, 1952) is a Japanese visual artist, character designer, illustrator, a scenic designer for theatre and film, and a costume designer. He first came into prominence in the late 1960s working on the anime adaptation of Speed Racer .
This is a list of Japanese artists. This list is intended to encompass Japanese who are primarily fine artists. This list is intended to encompass Japanese who are primarily fine artists. For information on those who work primarily in film, television, advertising, manga, anime, video games, or performance arts, please see the relevant ...
Ikumi Nakamura (Japanese: 中村 育美, Hepburn: Nakamura Ikumi) is a Japanese video game artist and director. She is best known for her work at Tango Gameworks as an artist on The Evil Within (2014) and The Evil Within 2 (2017), and as creative director for Ghostwire: Tokyo, before leaving the company mid-development.
In his second year, he founded the school magazine, Pink Journal, but criticism motivated him to leave for Tokyo's Chuo Art School in 1967 to study art. [1] [4] [3] Sorayama graduated in 1968 at the age of 21, and gained an appointment in an advertising agency. He became a freelance illustrator in 1972. [4] In 1978, he drew his first robot.
Offices of the Japan Art Academy. Japan Art Academy (日本芸術院, Nihon Geijutsu-in) is the highest-ranking official artistic organization in Japan. It is established as an extraordinary organ of the Japanese Agency for Cultural Affairs (文化庁, Bunkacho) in the thirty-first article of the law establishing the Ministry of Education, Culture, Sports, Science and Technology. [1]
The concept art and Memory illustrations were created by Manabu Kusunoki. [ 3 ] [ 15 ] Ikeda described working with real-world dioramas as a refreshing change from his usual design work. [ 15 ] During pre-production, concept dioramas were created by Walnuts Claywork Studio's Tomohiro Yatsubo, who had worked on similar environments for Terra ...