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Marie Laforêt (born Maïtena Marie Brigitte Douménach; 5 October 1939 – 2 November 2019 [1]) was a French singer and actress, particularly well known for her work during the 1960s and 1970s. [2] In 1978, she moved to Geneva , and acquired Swiss citizenship.
In a survey of the 100 greatest films of Argentine cinema carried out by the Museo del Cine Pablo Ducrós Hicken in 2000, the film reached the 15th position. [2] In a new version of the survey organized in 2022 by the specialized magazines La vida útil , Taipei and La tierra quema , presented at the Mar del Plata International Film Festival ...
It should only contain pages that are Marie Laforêt songs or lists of Marie Laforêt songs, as well as subcategories containing those things (themselves set categories). Topics about Marie Laforêt songs in general should be placed in relevant topic categories .
Purple Noon (French: Plein soleil; Italian: Delitto in pieno sole; also known as Full Sun, Blazing Sun, Lust for Evil, and Talented Mr. Ripley) [2] is a 1960 crime thriller film starring Alain Delon (in his first major role), alongside Marie Laforêt and Maurice Ronet; Romy Schneider, Delon's girlfriend at the time, makes a brief cameo appearance in the film.
In the same year it was adapted into French under the title "Viens, viens" and recorded by Marie Laforêt, and in Italian as "Lei, lei" and was recorded by both Dalida and Laforet. [1] [2] [3] A Greek version with the title "Zitas" (Greek: Ζητάς) was recorded in 1974 by Marianna Toli [4] and in 1991 by Evridiki. [5]
"Les Vendanges de l'amour" is a song by French singer Marie Laforêt. It initially appeared in 1963 on her EP titled Marie Laforêt [ 1 ] (also called Les Vendanges de l'amour [ 1 ] and Marie Laforêt vol. 1 ).
"Ivan, Boris et moi" is a song by French singer Marie Laforêt. It initially appeared in 1967 on her EP titled Marie Laforêt vol. XIV (also called Ivan, Boris et moi ). [ 1 ]
Le Jeu de la Mort (The Game of Death) is a French/Swiss television documentary broadcast by the French public television channel France 2.It was presented as a social commentary on the effects of obeying orders and humiliation in reality television, and its broadcast was followed by a studio discussion on the programme.