Search results
Results from the WOW.Com Content Network
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it. If the file has been modified from its original state, some details may not fully reflect the modified file.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [ 14 ]
Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues."
Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas.Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
The acoustic roots-focused movement also gave rise to the terms "folk blues" and "acoustic blues", especially being applied to performances and recordings made around this period. [1] "Country blues" has also been used to describe regional acoustic styles, such as Delta blues, Piedmont blues, or the earliest Chicago, Texas, and Memphis blues. [1]