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Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
The Staffordshire spaniel was the quintessential Victorian bourgeois status-symbol ornament: no mantelpiece was complete without a pair of spaniels standing guard. Staffordshire dogs were also placed on the window sill. Staffordshire dogs are nowadays collectors’ items. [11]
Florentine craft box with decoupage and painted gold gilding. Florentine crafts made in Florence, Italy , are a centuries-old tradition maintained by several artisan guilds. Florentine style, especially in items produced in from the mid-19th century onward, typically reflect a contemporary interpretation of Renaissance art and furnishings.
Many Staffordshire figures made from 1740 to 1900 were produced by small potteries and makers' marks are generally absent. Most Victorian figures (1837 to 1900) were designed to stand on a shelf or mantlepiece and are therefore only modelled and decorated where visible from the front and sides. These are known as 'flatbacks'.
Decoupage or découpage (/ ˌ d eɪ k uː ˈ p ɑː ʒ /; [1] French:) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements.
Representation of an ornamental hermit in Germany in the late 18th century. Garden hermits or ornamental hermits were people encouraged to live alone in purpose-built hermitages, follies, grottoes, or rockeries on the estates of wealthy landowners, primarily during the 18th century.
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