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Donald Jay Grout (September 28, 1902 – March 9, 1987) was an American musicologist. He is best known as the author of A Short History of Opera, first published in 1947. The fourth edition was published by Columbia University Press in 2003.
According to Grout's A History of Western Music (1996), common musical instruments of this time period included: harps, imported to continental Europe from Ireland and Britain sometime before the ninth century; Vielle, a prototype of the Renaissance viol and modern viola with five strings, one of which was a drone, popular amongst the jongleurs ...
The B section can also incorporate parts of the A section's phrase: in the above example, the final 14 notes of the B section match the final 14 notes of each A section (see also Rundkanzone). In this example, the 17 never-repeated notes starting the B section would have been called a Steg by the Meistersingers: literally, " bridge "; whence ...
"But that music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by the few, and that it alone among all language unites the contradictory character of being at once intelligible and untranslatable—these facts make the creator of music a being like the gods and make music itself the supreme mystery of human knowledge."
The range of possible topics is virtually limitless. Some examples might be "Music during World War I," "Medieval and Renaissance instrumental music," "Music and politics," "Mozart's Don Giovanni, or Women and music." The methods and tools of music history are nearly as many as its subjects and therefore make a strict categorization impossible.
[8] [9] MusicXML development was transferred to the W3C Music Notation Community Group in July 2015. [10] Version 1.0 was released in January 2004. Version 1.1 was released in May 2005 with improved formatting support. Version 2.0 was released in June 2007 and included a standard compressed format. [11]
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The Music Encoding Initiative (MEI) is an open-source [1] effort to create a system for representation of musical documents in a machine-readable structure. [2] MEI closely mirrors work done by text scholars in the Text Encoding Initiative (TEI) and while the two encoding initiatives are not formally related, they share many common characteristics and development practices.