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European museums typically were founded as state institutions and thus their collections and displays were shaped by national interests. African art and artifacts were mostly displayed in an ethnological context. The appreciation of African objects purely as fine art in Europe was largely limited to private galleries in the early twentieth century.
African art had an important influence on European Modernist art, [10] which was inspired by their interest in abstract depiction. It was this appreciation of African sculpture that has been attributed to the very concept of "African art", as seen by European and American artists and art historians. [11]
Direct images of African deities are relatively infrequent, but masks in particular are or were often made for traditional African religious ceremonies; today many are made for tourists as "airport art". [2] African masks were an influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.
Les Demoiselles d'Avignon.The two figures on the right are the beginnings of Picasso's African period.. Picasso's African Period, which lasted from 1906 to 1909, was the period when Pablo Picasso painted in a style which was strongly influenced by African sculpture, particularly traditional African masks and art of ancient Egypt, in addition to non-African influences including Iberian ...
One example is Marshall W. Mount, [7] who proposed four categories: first, "survivals of traditional styles", which show continuities in traditional working material and methods such as bronze casting or wood carving; secondly, art inspired by Christian missions; thirdly, souvenir art in the sense of tourist or "airport art", such as by the likes of artworks by South African visual artist ...
Image credits: Chesnot #7 Pablo Picasso (October 25, 1881 — April 8, 1973) Pablo Picasso was a Spanish artist known as one of the most influential figures of the 20th century.
Gerard Sekoto OIG [1] (9 December 1913 – 20 March 1993), was a South African artist and musician. He is recognised as a pioneer of urban black art and social realism . His work was exhibited in Paris , Stockholm , Venice , Washington , and Senegal , as well as in South Africa.
This piece became his seminal The Museum of Contemporary African Art 1997–2002, which consists of 12 rooms (some based on museum function and others personal) filled with objects made by Gaba. [1] [4] Throughout the exhibition ran a vein of confessional narrative about the artist's art travails between Africa and Europe. [5]