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Chowk-poorana mud wall art in Punjab is given shape by the peasant women of the state. In courtyards, this art is drawn using a piece cloth. The art includes drawing tree motifs, flowers, ferns, creepers, plants, peacocks, palanquins, geometric patterns along with vertical, horizontal and oblique lines. These arts add to the festive atmosphere. [5]
All Indian states and some of the union territories have their own elected government and the union territories come under the jurisdiction of the Central Government. India has its own national symbols. [2] Apart from the national symbols, the states and union territories have adopted their own seals and symbols including flowers listed below.
viseshakacchedya — art of painting the face and body with colored unguents and cosmetics. tandula-kusuma-bali-vikara — art of preparing offerings from rice and flowers. pushpastarana — art of making a covering of flowers for a bed. dasana-vasananga-raga — art of applying preparations for cleansing the teeth, clothes, and painting the body.
A rangoli on the occasion of Diwali, Goa, India A rangoli made with flowers on the occasion of Onam Rangoli at Delhi, India Rangoli is an art form that originates from the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered limestone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks.
Alpana or alpona (Bengali: আলপনা) is a Bengali folk art style consisting of colored motifs, patterns, and symbols that are painted on floors and walls with paints made from rice flour, on religious occasions. Alpona is common to Bangladesh and the Indian state of West Bengal. Amongst Hindu families, alpanas may contain religious ...
The critics also had an important role as curators of important exhibitions, re-defining modernism and Indian-art. Indian Art got a boost with the economic liberalization of the country since the early 1990s. Artists from various fields now started bringing in varied styles of work. Post-liberalization Indian art thus works not only within the ...
The painters do not use pencil or charcoal for the preliminary drawings. They are so expert in the line that they simply draw directly with the brush either in light red or yellow. Then the colours are filled in. The final lines are drawn and the patta is given a lacquer coating to protect it from weather, thus making the painting glossy.
The boy Buddha appearing within a lotus. Crimson and gilded wood, Trần-Hồ dynasty, Vietnam, 14th–15th century. In the Aṅguttara Nikāya, the Buddha compares himself to a lotus (padma in Sanskrit, in Pali, paduma), [3] saying that the lotus flower rises from the muddy water unstained, as he rises from this world, free from the defilements taught in the specific sutta.
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