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A Room of One's Own is an extended essay by Virginia Woolf, first published in September 1929. [1] The work is based on two lectures Woolf delivered in October 1928 at Newnham College and Girton College, women's colleges at the University of Cambridge. [2] [3]
Virginia wrote only one drama, Freshwater, based on her great-aunt Julia Margaret Cameron, and produced at her sister's studio on Fitzroy Street in 1935. 1936 saw the publication of The Years, which had its origin in a lecture Woolf gave to the National Society for Women's Service in 1931, an edited version of which would later be published as ...
Although Three Guineas is a work of non-fiction, it was initially conceived as a "novel–essay" which would tie up the loose ends left in her earlier work, A Room of One's Own. [1] The book was to alternate between fictive narrative chapters and non-fiction essay chapters, demonstrating Woolf's views on war and women in both types of writing ...
In 1920, women won the right to vote with the adoption of the 19th Amendment to the U.S. Constitution. In 1929, English writer Virginia Woolf published her landmark essay, A Room of One’s Own ...
Though she could live comfortably without working, Mary chooses to work. Mary can be considered an example of the ideal Virginia Woolf detailed in A Room of One's Own, "Professions for Women" (one essay in The Death of the Moth and Other Essays, Harcourt, 1942, pp. 236–8), and other feminist essays.
Orlando: A Biography is a novel by Virginia Woolf, first published on 11 October 1928, inspired by the tumultuous family history of the aristocratic poet and novelist Vita Sackville-West, Woolf's lover and close friend.
The novel introduces Clarissa Dalloway, the central character of Woolf's later novel, Mrs Dalloway. Two of the other characters were modelled after important figures in Woolf's life. St. John Hirst is a fictional portrayal of Lytton Strachey, and Helen Ambrose is, to some extent, inspired by Woolf's sister, Vanessa Bell. [7]
The Hours concerns three generations of questionably lesbian or bisexual women. [1] Virginia Woolf was known to have affairs with women; Laura Brown kisses Kitty in her kitchen; and Clarissa Vaughan, who was previously Richard's lover, is in a relationship with Sally. Peripheral characters also exhibit a variety of sexual orientations.
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