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DNA is the ninth studio album by the Backstreet Boys. [3] The album was first released in Japan on January 23, 2019, and everywhere else on January 25, 2019, through a collaboration with the group's own K-Bahn record label and RCA Records. The album features tracks written by Edei, Lauv, Andy Grammer, Stuart Crichton, Ryan Tedder and Shawn ...
DNA has peaked in the top 10 of eight countries worldwide, including the UK, Australia and Italy. In the US, DNA entered the Billboard 200 album chart at number four after selling over 50,000 copies, behind the albums of Daft Punk (Random Access Memories), Alice in Chains (The Devil Put Dinosaurs Here) and John Fogerty (Wrote a Song for Everyone).
It was released on November 9, 2018, as the second single from DNA, their ninth studio album (eighth in the United States). The song was written by Shawn Mendes, Fiona Bevan, Casey Smith, Geoff Warburton, Scott Harris, and producers Ryan Tedder and Zach Skelton.
DNA on DNA is a compilation album by DNA, released on May 11, 2004, through No More Records. [5] Booklet liner notes written by Glenn O'Brien and Jason Gross. Track listing
DNA was the name taken by English electronic music producers Nick Batt and Neal Slateford, best known for releasing a remix of Suzanne Vega's "Tom's Diner" in 1990. [ 1 ] As well as "Tom's Diner", the duo remixed two other Suzanne Vega tracks: "Rusted Pipe" in 1991, and a radio mix of "Rosemary" in 2000.
DNA is the seventh studio album by American rock band Trapt, released on August 19, 2016. [2] The album's recording was partly funded by a 2014 campaign on Indiegogo . [ 3 ] The band was originally set to release the album in 2015. [ 4 ]
"Diane" (also known as "Diane (I'm in Heaven When I See You Smile)") is a song by Ernö Rapée and Lew Pollack, [1] and was originally written as a theme song for the 1927 silent movie 7th Heaven. Its musical composition entered the public domain on January 1, 2023. [ 2 ]
Dianne Reeves is a studio album by American jazz singer Dianne Reeves issued in 1987 on Blue Note Records. [2] The album peaked at number one on the Billboard Contemporary Jazz Albums chart and number 28 on the Billboard Soul Albums chart in early 1988. The album was produced by George Duke and recorded at Mama Jo's and Le Gonks West in ...