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Pueblo III Era (AD 1150–1350) pottery was primarily of the corrugated plain greyware and black-on-white ware with geometric design elements. Key to this era is the emergence of polychrome ornamented vessels in latter part of the era, with black, red and orange designs on white.
Black-on-black ware pot by María Martinez of San Ildefonso Pueblo, circa 1945.Collection deYoung Museum María and Julián Martinez pit firing black-on-black ware pottery at P'ohwhóge Owingeh (San Ildefonso Pueblo), New Mexico (c.1920) Incised black-on-black Awanyu pot by Florence Browning of Santa Clara Pueblo, collection Bandelier National Monument Wedding Vase, c. 1970, Margaret Tafoya of ...
Maria Poveka Montoya Martinez (c. 1887 – July 20, 1980) was a Puebloan artist who created internationally known pottery. [1] [2] Martinez (born Maria Poveka Montoya), her husband Julian, and other family members, including her son Popovi Da, examined traditional Pueblo pottery styles and techniques to create pieces which reflect the Pueblo people's legacy of fine artwork and crafts.
Apr. 4—Pueblo kiva steps scatter across Jody Naranjo's pottery like butterflies. But this time, they glitter with light. The Santa Clara potter is collaborating with the legendary Tlingit glass ...
Biscuit A bowl. The Rio Grande white wares comprise multiple pottery traditions of the prehistoric Puebloan peoples of New Mexico. About AD 750, the beginning of the Pueblo I Era, after adhering to a different and widespread regional ceramic tradition (the Cibola White Ware tradition) for generations, potters of the Rio Grande region of New Mexico began developing distinctly local varieties of ...
This style is found north of Albuquerque and may represent a local innovation as the making of glaze ware pottery spread northward. Cieneguilla dates from AD 1325 to 1425. In the Galisteo Basin , a variant of this type with a slightly flaring lip is known as Sanchez Glaze-on-yellow (Honea 1966) and dates from AD 1350 to 1425.
Linda Sisneros and Merton Sisneros are Native American potters from Santa Clara Pueblo, New Mexico, United States. Both Linda and Merton, a married couple, have a long heritage of pottery in their families. Together they carry on these family traditions, and include on their pottery a triangle mark to symbolize three generations of potting.
Marie Zieu Chino (1907–1982) was a Native American potter from Acoma Pueblo, New Mexico.Marie and her friends Lucy M. Lewis and Jessie Garcia are recognized as the three most important Acoma potters during the 1950s.