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The New York–Dublin Portal (also simply known as The Portal) is an interactive installation created by Lithuanian artist Benediktas Gylys to allow people in New York City and Dublin to interact with each other using two 24-hour live streaming video screens (without audio).
In contemporary societies, the appropriateness of childhood nudity in various situations is controversial, with many differences in behavior worldwide. Depending upon conceptions of childhood innocence and sexuality in general, societies may regard social nudity before puberty as normal, as acceptable in particular situations such as same-sex groups, or unacceptable.
Christ Church Cathedral (exterior) Siege of Dublin, 1535. The Earl of Kildare's attempt to seize control of Ireland reignited English interest in the island. After the Anglo-Normans taking of Dublin in 1171, many of the city's Norse inhabitants left the old city, which was on the south side of the river Liffey and built their own settlement on the north side, known as Ostmantown or "Oxmantown".
Ofri Bibas Levi, the sister-in-law of Shiri Bibas, an Israeli hostage kidnaped during the Oct. 7 attack in southern Israel, holds a family picture of Bibas and one of her two boys, at Moshav Giv ...
In some countries, privacy law and personality rights can lead to civil action against organizations that publish photos of nude celebrities without a model release, and this restricts the availability of such photos through the print media. On the internet, the difficulty of identifying offenders and applying court sanction makes circulation ...
Children's Jury Awards: Feature – Winner: Mia and the White Lion, director Gilles de Maistre; Feature – Special Mention: Departures, director Peter Hutchings; Short – Winner: First Disco, director Helen M. O'Reilly; Feature – Special Mention: The Overcoat, directors Meelis Arulepp and Sean Mullen; Young Programmer's Choice Award:
The Dublin Live Art Festival was founded in 2012 and is curated by live performance artist Niamh Murphy. The aim of the festival is to "build on the thriving live art community working in Ireland today, while also making connections with international live art makers". [1]
The Dublin Theatre Festival was founded by Brendan Smith, who also ran the Olympia Theatre and the Brendan Smith Academy of Acting. In the 1950s, the Irish Tourist Board was interested in helping to finance events on what was termed "shoulder months" of the tourist season – May, June, September and October.