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Sanjo (Korean: 산조), literally meaning 'scattered melodies', is a style of traditional Korean music, involving an instrumental solo accompanied by drumming on the janggu, an hourglass-shaped drum. The art of sanjo is a real crystallization of traditional Korean melody and rhythm which may have been handed down by rote generation after ...
Korean traditional rhythm also called Jangdan (장단) is a rhythm in which the rhythmic form is repeated with a percussion instrument such as a Janggu or hourglass drum. There is a basic format, but there are many variations while playing the songs. Korean traditional music is usually sung within the Jangdan, played by the Janggu or eastern ...
The process of compiling traditional Korean music continued until the reign of Seongjong with the publication of the first independent musical text Akhakgwebeom. [25] Because of two damaging wars, the culture of Joseon went through a series of hardships which resulted in the loss of instrumental music and songs in court and also a royal shrine ...
The music of South Korea has evolved over the course of the decades since the end of the Korean War, and has its roots in the music of the Korean people, who have inhabited the Korean peninsula for over a millennium. Contemporary South Korean music can be divided into three different main categories: Traditional Korean folk music, popular music ...
The janggu (Korean: 장구, also transliterated as janggo or changgo) or seyogo (세요고; 細腰鼓; lit. slim waist drum) is a drum often used in traditional Korean music. [1] [2] It consists of an hourglass-shaped body with two heads made from various types of leather. [2]
Korean court music (Kor: 궁중음악, RR: gungjung eumak) comprises three main musical genres: aak, an imported form of Chinese ritual music; a pure Korean form called hyangak; and a combination of Chinese and Korean styles called dangak.
Aak Korean pronunciation: is a genre of Korean court music. It is an imported form of the Chinese court music yayue , [ 1 ] and means "elegant music". Aak was performed almost exclusively in state sacrificial rites, and in the present day it is performed in certain Confucian ceremonies.
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