Search results
Results from the WOW.Com Content Network
Kodoku (蠱毒, 'curse poison'), also called kodō (蠱道, 'curse method'), kojutsu (蠱術, 'curse technique'), and fuko (巫蠱, 'sorcery curse') is a type of poisonous magic found in Japanese folklore. It is the Japanese derivative of the Chinese gu magic. It is said to have been widely used in ancient China.
The occult is a category of supernatural beliefs and practices, encompassing such phenomena as those involving mysticism, spirituality, and magic in terms of any otherworldly agency. It can also refer to other non-religious supernatural ideas like extra-sensory perception and parapsychology .
The book has been important for the history of European magic, serving as a link between the earlier Greek magical practices and the later grimoires of Western Europe. During the early modern period , the book begun to be translated in Latin , becoming the source for future European grimoires, most notably the Key of Solomon .
Page from the Greek Magical Papyri, a grimoire of antiquity. A grimoire (also known as a "book of spells", "magic book", or a "spellbook") is a textbook of magic, typically including instructions on how to create magical objects like talismans and amulets, how to perform magical spells, charms, and divination, and how to summon or invoke supernatural entities such as angels, spirits, deities ...
Black magic as a category did not exist in ancient Mesopotamia, and a person legitimately using magic to defend themselves against illegitimate magic would use exactly the same techniques. [39] The only major difference was that curses were enacted in secret; [ 39 ] whereas a defense against sorcery was conducted in the open, in front of an ...
Ceremonial magic (also known as magick, ritual magic, high magic or learned magic) [1] encompasses a wide variety of rituals of magic. The works included are characterized by ceremony and numerous requisite accessories to aid the practitioner. It can be seen as an extension of ritual magic, and in most cases synonymous with it.
The same techniques and consciously driven functional intention also permeated his paintings. In a very real sense, everything he created was an act of sorcery ...
Black magic as a category didn't exist in ancient Mesopotamia, and a person legitimately using magic to defend themselves against illegitimate magic would use exactly the same techniques. [4] The only major difference was the fact that curses were enacted in secret; [ 4 ] whereas a defense against sorcery was conducted in the open, in front of ...