Search results
Results from the WOW.Com Content Network
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a 32-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Pinched, plucked (i.e. in music for bowed strings, plucked with the fingers as opposed to played with the bow; compare arco, which is inserted to cancel a pizzicato instruction; in music for guitar, to mute the strings by resting the palm on the bridge, simulating the sound of pizz. of the bowed string instruments) plop
A squeeze play (or squeeze) is a technique used in contract bridge and other trick-taking games in which the play of a card (the squeeze card) forces an opponent to discard a winner or the guard of a potential winner. The situation typically occurs in the end game, with only a few cards remaining.
Racing is part of regular music as well. "Accelerando” and “stringendo” are terms used to indicate to the player that the piece is to pick up steam. Music that races can also quicken the pulse.
The simple squeeze is the most basic form of a squeeze in contract bridge. When declarer plays a winner in one suit (the squeeze card), an opponent is forced to discard a stopper in one of declarer's two threat suits. The simple squeeze takes place against one opponent only and gains one trick only.
Alternatively in some parlance "B-section" might refer to a bridge (see "bridge" below) occurring anywhere in a song once or twice. back-beat. Beats 2 and 4 in 4/4 time, particularly when they are strongly accented. A term more used in rock 'n roll. backmasking. Recording a sound and then flipping it so that when it is replayed, it sounds ...
The Vienna coup is an unblocking technique in contract bridge made in preparation for a squeeze play. [1] It is so named because it was originally published by James Clay (1804-1873) after observing it being executed in the days of whist by "the greatest player in Vienna" — identity unknown.