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In the case of scripted comedies, most bleeping may be used for humorous purposes, and other sound effects may be substituted for the bleep tone for comical effect; examples of this include a slide whistle, a baby cooing, dolphin noises, or the "boing" of a spring.
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An extended version of SMPTE Color Bars signal, developed by the Japanese Association of Radio Industries and Businesses as ARIB STD-B28 and standardized as SMPTE RP 219:2002 [15] (High-Definition, Standard-Definition Compatible Color Bar Signal) was introduced to test HDTV signal with an aspect ratio of 16:9 that can be down converted to a ...
A beep is a short, single tone, typically high-pitched, generally made by a computer or other machine. The term has its origin in onomatopoeia . The word "beep-beep" is recorded for the noise of a car horn in 1929, and the modern usage of "beep" for a high-pitched tone is attributed to Arthur C. Clarke in 1951.
Vocal spectrum noise used for testing audio circuits [20] Joseph S. Wisniewski writes that "green noise" is marketed by producers of ambient sound effects recordings as "the background noise of the world". It simulates the spectra of natural settings, without human-made noises. It is similar to pink noise, but has more energy in the area of 500 Hz.
Machines and their sounds are also often described with onomatopoeia: honk or beep-beep for the horn of an automobile, and vroom or brum for the internal combustion engine. In speaking of a mishap involving an audible arcing of electricity, the word zap is often used (and its use has been extended to describe non-auditory effects of interference).
Digital room correction may involve minimum phase algorithms, to maintain wavefront coherence over the intended frequency range.. The use of analog filters, such as equalizers, to normalize the frequency response of a playback system has a long history; however, analog filters are very limited in their ability to correct the distortion found in many rooms.