Search results
Results from the WOW.Com Content Network
Sergio Franchi sang the title song. The third was the 1990 television film Coins in the Fountain starring Loni Anderson. Three Coins in the Fountain also inspired the 2010 film When in Rome, which tells the story of a woman who takes coins from a love fountain in Rome and finds unwanted love.
On October 8, 1966, Steve Smith sang "Three Coins in the Fountain" in a musical tour of Italy on ABC's The Lawrence Welk Show. Sergio Franchi sang the title song in another 20th Century Fox film made as the pilot for an unsold television series. This version was broadcast in 1970.
Nikki comments that "it doesn't look the same as in the movie" (A nod to the 1954 film). The ladies agree to throw their coins and make their wishes at this fountain since they do not want to walk all the way to the Trevi Fountain. Leah locates Marcello, now a curator at an art museum and finds the courage to meet him. Marcello is excited to ...
But a few bronze planchets, a blank coin with no design, may have been left behind, resulting in extremely rare and valuable 1943-S bronze pennies. In 2016, one of these pennies sold at auction ...
The Five Pennies is a 1959 American biographical music drama film in VistaVision and Technicolor starring Danny Kaye as jazz cornet player and bandleader Loring "Red" Nichols. Other cast members include Barbara Bel Geddes, Louis Armstrong, Harry Guardino, Bob Crosby, Bobby Troup, Susan Gordon, and Tuesday Weld. The film was directed by Melville ...
Since not all salaries are made public, this is a non-definitive list of actors who have received $30 million or more as compensation for their services in a single production. Occasionally an actor's fee may cover multiple films, and they are included on the list if the films were filmed as a back-to-back production (for example, Keanu Reeves ...
On that basis, 'Pocket Money' can be considered a 35-millimeter home movie of what Paul Newman and Lee Marvin did last summer." [4] Vincent Canby of The New York Times called it "a fragmented, far-from-great movie, and it won't change cinema history, but in its own odd fashion it celebrates humdrum lives without ever resorting to patronizing ...
According to an essay written by Lisa B. Thompson for the Criterion Collection, Van Peebles' direction of the musical numbers, having solo performers song their songs while the other cast members perform as background singers, is part of the film's social commentary, presenting "the black middle class as an impediment" to individual African ...