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Other classic prose models had less influence on the panegyrics. Pliny's Panegyricus model is familiar to the authors of panegyrics 5, 6, 7, [18] 11, and especially 10, in which there are several verbal likenesses. Sallust's Bellum Catilinae is echoed in the panegyrics 10 and 12, and his Jugurthine War in 6, 5, and 12. [19]
Title page of the Panegyric of Leonardo Loredan (1503), created in honour of Leonardo Loredan, 75th Doge of Venice, now in the Walters Art Museum in Baltimore. A panegyric (US: / ˌ p æ n ɪ ˈ dʒ ɪ r ɪ k / or UK: / ˌ p æ n ɪ ˈ dʒ aɪ r ɪ k /) is a formal public speech or written verse, delivered in high praise of a person or thing. [1]
The Panegyricus Serenissimo Principi Leonardo Lauredano, anglicised as Panegyric to the Most Serene Prince Leonardo Loredan is an early 16th-century manuscript written in Latin in honour of Leonardo Loredan, who reigned as the 75th Doge of Venice from 1501 until his death in 1521.
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A panegyris (Ancient Greek: πανήγυρις "gathering"), is an Ancient Greek general, national or religious assembly. [1] [2] Each was dedicated to the worship of a particular god.
As stated above, this ballad is a mock-panegyric and takes themes of praise and turns them into insults. While the ballad's first line teases a glorification of Cromwell, "Shall Presbyterian bells ring Cromwels praise", we can see that the ballad ends with Cromwell not only dead, but buried with no headstone, which in early modern England indicated that the person in question either lacked the ...