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The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape Korg D888 eight-track digital recorder. Multitrack recording also allows any recording artist to record multiple takes of any given section of their performance, allowing them to refine their performance to virtual perfection by making additional takes ...
The H5 Handy Recorder. Zoom H5 Handy Recorder is a handheld digital audio recorder from Zoom Corporation, introduced in January 2014. [1] [2] A successor to the Zoom H4n, the new model features interchangeable input capsules with microphones (as does the Zoom H6), allowing the recording of up to four tracks simultaneously, both internal and external.
2488 24-Track Hard-Drive-based digital portastudio - 2004 Music Trades Magazine Product of the Year, [21] MIPA Desktop Recording Workstation of the Year [22] DP-02 eight-track digital recorder - 2008 Music & Sound Retailer Best New Multitrack recorder [23] [24] DP-3 eight-track digital recorder captures music to SD/SDHC cards.
Nagra VI – Released in 2008, originally as a 6 channel recorder and later upgraded to 8 channels (six inputs plus two mix), the Nagra VI was touted as "the natural successor to the NAGRA-D / DII multi-track digital recorders" and is equipped with four microphone preamps, two line level inputs which double as dual digital inputs (AES/EBU and S ...
Portastudio refers to a series of multitrack recorders produced by TASCAM beginning in 1979 with the introduction of the TEAC 144, the first four-track compact cassette-based recorder. A TASCAM trademark, "portastudio" is commonly used to refer to any self-contained multitrack recorder dedicated to music production. [1] [2] [3]
The H4 is shorter than a pencil Field recording with H4 on a simple tripod H2 and H4 with 10 eurocents for scale. The H4 Handy Recorder is a handheld digital audio recorder from Zoom, featuring built-in condenser microphones in an X-Y stereo pattern, [1] priced from around US$280 depending upon memory capacity as of 2011.
They manufactured a total of 18 digital recorders, of which seven were sold and the rest leased out. [2] Although most recordings were of classical music, the range included country, rock, jazz, pop, and avant-garde. The first US live digital recording was made in 1976 by Soundstream's prototype 37 kHz, 16-bit, two channel recorder. [3]
The PCM-3348HR and D827 are capable of 24-bit 48 kHz operation at 45 ips, and are the only machines that still find significant use today, often in only the highest-end studios for music and film production. All DASH recorders primarily use the SDIF-2 (Sony Digital Interface Format-2) as a digital interface, which is slightly different from the ...
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