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"A Long December" is a song by American rock band Counting Crows. The ballad is the second single and 13th track from their second album, Recovering the Satellites (1996). Lead singer Adam Duritz was inspired to write the track after his friend was hit by a motorist and injured, making the song about reflecting on tragedy with a positive disposition.
Films About Ghosts (The Best of...) is a compilation album by American rock band Counting Crows. It was released by Geffen Records on November 2, 2003. The album contains songs from their first four studio albums. The album takes its name from a line in "Mrs. Potter's Lullaby": "If dreams are like movies, then memories are films about ghosts."
Recovering the Satellites is the second studio album by American rock band Counting Crows, released on October 15, 1996, in the United States.Released three years after their debut album (and two years of worldwide touring), it reached No. 1 in the United States and was a top seller in Australia, Canada, and the UK as well.
Temporal Locations. Four Counting Crows songs mention months of the year. Those months are November (twice), December (twice), and February. A lot of cold months, in the world of Counting Crows.
It should only contain pages that are Counting Crows songs or lists of Counting Crows songs, as well as subcategories containing those things (themselves set categories). Topics about Counting Crows songs in general should be placed in relevant topic categories .
"Daylight Fading" is a song by the American rock band Counting Crows. It is the third track and third single from their second album, Recovering the Satellites (1996). This song, along with previous releases such as "Mr. Jones" and "A Long December," had video rotation on MTV and VH1.
Le Ballet D'or (Counting Crows song) A Long December; M. Miami (Counting Crows song) Mr. Jones (Counting Crows song) Mrs. Potter's Lullaby; A Murder of One; O.
"Angels of the Silences" is a song by American alternative rock band Counting Crows. It is the lead single and second track from their second album, Recovering the Satellites (1996). The song peaked at number three on the US Billboard Modern Rock Tracks chart, making it the highest-placing single from the album.