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Wright introduced Casual around 1950, and Seibel designed a line called Impromptu that stayed in the line for the rest of the company's history. [1] Among the firm's designs were Bridal White, Frolic, Vision, Jardinieres, Pins and Beads, and in 1956, new geometric patterns like Parasols and Pyramids.
Otto Lund emigrated from Denmark in 1947. He was a pattern designer by trade and prior to his employment at Gladding, McBean & Co. he was the former director of Castleton China's design and decorating department. Lund's mastery was in the painting of flora and fauna, and he used this mastery in designing patterns for the Franciscan fine china ...
Encyclopedia of China: The Essential Reference to China, Its History and Culture. Facts on File, 1999. 662 pp. Price, Rohan B.E. Resistance in Colonial and Communist China (1950–1963) Anatomy of a Riot (Routledge, 2020). Rummel, Rudolph J. China's bloody century: Genocide and mass murder since 1900 (Routledge, 2017). Salisbury, Harrison E.
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208.
[1] [5] The company was known for its ironstone china and white granite ware, which were exported to many countries, especially the USA. [ 5 ] [ 6 ] The company also made decorative wares with various patterns and shapes, such as Bamboo, Fishhook, Chelsea, and Bleu de Roi. [ 5 ]
Many different Chinese-inspired landscape patterns were at first produced in this way, both on bone china or porcellanous wares, and on white earthenware or pearlware. The Willow pattern became the most popular and persistent of them, and in various permutations has remained in production to the present day.
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[4] [13] [14] Designs and construction of the Qing dynasty court robes were enacted and regulated through imperial edicts; the dress code was a mixed of Manchu (i.e. clothing cut-style) and Ming dynasty Chinese traditions in terms of prescribed designs. [7] The decorative patterns and visual motifs used by the Manchu rulers were adopted from ...