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The song features Ebe Dancel, the former vocalist of now defunct Filipino band Sugarfree. This is the 2nd most viewed OPM song on YouTube (reached 11 million views in July 2013), after Gayuma by Abra, also an LGBT related song. Pop band 1:43, mentions "Sirena" as they mention to Kevin Balot, a transgender Filipina.
Julián Reyes Felipe (Tagalog: [hulˈjan pɛˈlipɛ]; Spanish: [xuˈljaɱ feˈlipe]: January 28, 1861 – October 2, 1944) was a Filipino composer of the music of the Philippine national anthem, formerly known as "Marcha Nacional Filipina", now known as "Lupang Hinirang". [2]
"Lupang Hinirang" was not the first Philippine national anthem to ever be conceived. The composer and revolutionist Julio Nakpil composed "Marangal na Dalit ng Katagalugan" (Honorable Hymn of the Tagalog Nation/People) upon the request of Andrés Bonifacio, the leader of the Katipunan, the secret society that had spearheaded the Revolution.
Awit sa Paglikha ng Bagong Pilipinas (English: Hymn to the Creation of a New Philippines), also known by its incipit Tindig! Aking Inang Bayan (English: "Stand! My Motherland"), is a patriotic song written by Filipino composer Felipe Padilla de León. [2]
Manila sound is styled as catchy and melodic, with smooth, lightly orchestrated, accessible folk/soft rock, sometimes fused with funk, light jazz and disco.However, broadly speaking, it includes quite a number of genres (e.g. pop, vocal music, soft rock, folk pop, disco, soul, Latin jazz, funk etc.), and should therefore be best regarded as a period in Philippine popular music rather than as a ...
Julio Nakpil y García (22 May 1867 – 2 November 1960) was a Filipino musician, composer and a General during the Philippine Revolution against Spain.He was a member of the Katipunan, a secret society turned revolutionary government which was formed to overthrow the Spanish government in the Philippines.
Ramón Pagayon Santos (born 25 February 1941) is a Filipino composer, ethnomusicologist, and educator known for being the Philippines' foremost living exponent of contemporary Filipino classical music, [1] [2] for work that expounds on "the aesthetic frameworks of Philippine and Southeast Asian artistic traditions," [2] and for finding new uses of indigenous Philippine instruments.
The composer is said to have put subversive elements to Bagong Pagsilang, just like he did on his 1942 "Awit sa Paglikha ng Bagong Pilipinas". According to his eldest son on a lecture, the composer secretly quoted a portion of the protest song " Bayan Ko " in a part of the song.