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The Lagoon of St. Mark is an early example of his seascapes that clearly demonstrates the process of color division and the law of simultaneous contrast. Hanging in the Impressionist gallery, in the Chrysler Museum of Art, Signac's 1905 painting is surrounded by the likes of Claude Monet, Edgar Degas, and Pierre Renoir.
Seascape (Slightly Cloudy) A Seascape. The Coast of the Island of Rügen in Evening Light; Seaside by Moonlight; The Seducer; The Seine at Argenteuil (Sisley) The Seine at Port-Marly, Piles of Sand; The Seine at Rouen; Shinagawa no Tsuki, Yoshiwara no Hana, and Fukagawa no Yuki; Ship of Fools (painting) Shipping by a Breakwater (J. M. W. Turner)
Harbour or Seascape (Spanish - Marina) is a small 1881 oil-on-canvas painting by the Spanish artist Joaquín Sorolla. He painted it early in his career. He painted it early in his career. It is now in the Sorolla Museum in Madrid.
Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [ 1 ]
Aivazovsky's signature in Russian, 1850 Aivazovsky's signature in Armenian on oil painting from 1899. Ivan Konstantinovich Aivazovsky (Russian: Иван Константинович Айвазовский; 29 July [O.S. 17 July] 1817 – 2 May [O.S. 19 April] 1900) was a Russian Romantic painter who is considered one of the greatest masters of marine art.
Moonrise by the Sea or Moonrise over the Sea (German: Mondaufgang am Meer) is an 1822 oil-on-canvas painting by German painter Caspar David Friedrich. The work depicts a romantic seascape. Three young people, two women side by side and a man further back, are sitting on a large boulder by the sea, silhouetted against the sky as they watch the ...
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The Monk by the Sea (German: Der Mönch am Meer) is an oil painting by the German Romantic artist Caspar David Friedrich.It was painted between 1808 and 1810 in Dresden and was first shown together with the painting The Abbey in the Oakwood (Abtei im Eichwald) in the Berlin Academy exhibition of 1810.