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Hamletmachine (German: Die Hamletmaschine) is a postmodernist drama by German playwright and theatre director Heiner Müller, loosely based on Hamlet by William Shakespeare. It was written in 1977, and is related to a translation of Shakespeare's Hamlet that Müller undertook.
What follows is an overview of the main characters in William Shakespeare's Hamlet, followed by a list and summary of the minor characters from the play. [1] Three different early versions of the play survive: known as the First Quarto ("Q1"), Second Quarto ("Q2"), and First Folio ("F1"), each has lines—and even scenes—missing in the others, and some character names vary.
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In 2009, one of Europe’s leading intellectual publishing houses, Suhrkamp, issued the final three volumes in a twelve-volume edition of Müller's collected works. Müller has also paved the way for a new generation of directors, playwrights, and dramaturgs who regard themselves as "samplers". [ 12 ]
[265] Commenting on "the character of Hamlet", he in effect joins a discussion among his contemporaries, adding to the mix of similar assessments by Goethe, [266] Schlegel, [267] and Coleridge [268] his observation that Hamlet "is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment." [80]
Prince Hamlet is the central character of Hamlet. He is a prince of Denmark, called on to avenge his father's (Old Hamlet's) murder by Claudius. Prince Henry appears towards the end of King John, as successor to the title character. Prince John of Lancaster , the younger brother of Hal in Henry IV, Part 1, Henry IV, Part 2, and Henry V.
Die Hamletmaschine is an opera composed by Wolfgang Rihm to a German-language libretto based on Heiner Müller's 1977 play of the same name.The libretto, subtitled Musiktheater in 5 Teilen (Music Drama in 5 parts), was written by the composer.
Freud points out that Hamlet is an exception in that psychopathic characters are usually ineffective in stage plays; they "become as useless for the stage as they are for life itself", because they do not inspire insight or empathy, unless the audience is familiar with the character's inner conflict. Freud says, "It is thus the task of the ...