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It Ain't Easy also includes Willie Dixon's song "I'm Ready" and an Elton John-Bernie Taupin song, "Rock Me When He's Gone". [ 5 ] Baldry and Stewart put a band together to promote the album on Baldry's first tour of the US, consisting of mostly musicians from Stewart's Every Picture Tells a Story album: Sam Mitchell (blues guitar), Micky Waller ...
"I Ain't Superstitious" is a mid-tempo stop-time blues song that does not follow the typical chord progression. [2] Musician and writer Bill Janovitz described it as "not merely an electric version of the blues practiced in the Delta; it is something wholly new, a more aggressive and sophisticated Chicago cousin that acknowledges contemporary jazz, R&B, and pop forms".
"Key to the Highway" is a blues standard that has been performed and recorded by several blues and other artists. Blues pianist Charlie Segar first recorded the song in 1940. Jazz Gillum and Big Bill Broonzy followed with recordings in 1940 and 1941, using an arrangement that has become the standard.
Gillum's version of the song was covered by Broonzy a few months later, and his version has become the standard arrangement of this now-classic blues song. Gillum's records were some of the earliest featuring blues with electric guitar accompaniment, when the 16-year-old jazz guitarist George Barnes played on several songs on Gillum's 1938 ...
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The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".
"The Stumble" is a blues guitar instrumental composed and recorded by American blues artist Freddie King, for his 1961 album Let's Hide Away and Dance Away with Freddy King. [1] It is considered a blues classic and follows in a string of popular instrumentals recorded by King in the early 1960s, including "Hide Away", "San-Ho-Zay", and "Sen-Sa ...
"Baby, Please Don't Go" is likely an adaptation of "Long John", an old folk theme that dates back to the time of slavery in the United States. [1] Blues researcher Paul Garon notes that the melody is based on "Alabamy Bound", composed by Tin Pan Alley writer Ray Henderson, with lyrics by Buddy DeSylva and Bud Green in 1925.