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In early 2009, Healey's album Mess of Blues won in The 8th Annual Independent Music Awards for Best Blues Album. [11] In 2009, Healey was inducted into the Terry Fox Hall of Fame. In June 2011, Woodford Park in Toronto was renamed Jeff Healey Park in his honour. [12] In 2014, Healey was inducted into Canada's Walk of Fame.
Gillum's version of the song was covered by Broonzy a few months later, and his version has become the standard arrangement of this now-classic blues song. Gillum's records were some of the earliest featuring blues with electric guitar accompaniment, when the 16-year-old jazz guitarist George Barnes played on several songs on Gillum's 1938 ...
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Musically, however, there are differences in the recorded versions. Charlie Segar's original "Key to the Highway" was performed as a mid-tempo twelve-bar blues. [3] When Jazz Gillum recorded it later that year with Broonzy on guitar, he used an eight-bar blues arrangement [1] (May 9, 1940 Bluebird B 8529).
He is also a Blues Music Award, [161] and multiple Maple Blues Award nominee. [162] King Biscuit Boy (March 9, 1944 – January 5, 2003) Canadian blues musician. He was the first Canadian blues artist to chart on the Billboard Hot 100 in the US. [163] He played guitar and sang, but he was most noted for his harmonica playing. [164]
The first original blues rock artists such as Cream, the Paul Butterfield Blues Band and Canned Heat actually borrowed the idea of combining an instrumental combo with loud amplification from rock and roll, and also attempted to play long, involved improvisations which were commonplace on jazz records and live blues shows.
Three-chord progressions are common in earlier pop and rock, using various combinations of the I, IV and V chords, with the twelve-bar blues particularly common. A four chord progression popular in the 1950s is I-vi-ii-V, which in the key of C major is the chords C major, a minor, d minor and G7. Minor and modal chord progressions such as I ...
"I Ain't Superstitious" is a mid-tempo stop-time blues song that does not follow the typical chord progression. [2] Musician and writer Bill Janovitz described it as "not merely an electric version of the blues practiced in the Delta; it is something wholly new, a more aggressive and sophisticated Chicago cousin that acknowledges contemporary jazz, R&B, and pop forms".
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