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In Egyptian mythology, the Ogdoad (Ancient Greek: ὀγδοάς "the Eightfold"; Ancient Egyptian: ḫmnyw, a plural nisba of ḫmnw "eight") were eight primordial deities worshiped in Hermopolis. The earliest certain reference to the Ogdoad is from the Eighteenth Dynasty , in a dedicatory inscription by Hatshepsut at the Speos Artemidos .
Ancient Greek architecture came from the Greeks, or Hellenes, whose culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC.
With the greek god of architecture being Hephaestus (fire, metalworking, craftsmen, sculpture, metallurgy and volcanoes) and the greek goddess associated with architecture being Hestia (architecture, the hearth, and domesticity). The role temples are intended for worship to celebrate their god and receive comfort.
It is typical in Greek architecture for pairs of orthostates to form the thickness of a wall, one serving as the inner and the other serving as the outer face of the wall. Above a course of orthostates, it is common to lay a course of stones spanning the width of the wall and joining its two faces (a binder course). [citation needed]
The raised spaces between the channels themselves (within a triglyph) are called femur in Latin or meros in Greek. [2] In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using ...
The House of the Tiles is a monumental Early Bronze Age building (two stories, approximately 12 x 25 m) located at the archaeological site of Lerna in southern Greece. [1] It is notable for several architectural features that were advanced for its time during the Helladic period, notably its roof covered by baked tiles, which gave the building its name.
Architecture, sculpture and the new science were perfectly integrated". [4] According to A. W. Lawrence, "the originality of this building is exceptional, and of a character out of keeping with Hellenistic architecture as we know it ... the design is obviously Greek, both in the severity of decorative treatment and in the antiquated method of ...
The pediment begins in Ancient Greek architecture; according to the mid-fifth century BCE poet Pindar, it was a Corinthian invention. [4] It is possible that it was devised specifically to contain sculpture, which from the early 6th century became "customary (though never obligatory)" in Doric temples; in Ionic ones it was a "rarity". [5]