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John Singer Sargent was an American artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian era luxury. [1] During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings.
The painting was described in the Edwardian era as one the artist's most popular works. [2] Lucas was a Victorian era painter known for his works depicting scenes from British history. The painting was displayed at the Royal Academy's Summer Exhibition of 1884. [3] It was acquired for the National Gallery through the Chantrey Bequest the same year.
John Singer Sargent (/ ˈ s ɑːr dʒ ən t /; January 12, 1856 – April 14, 1925) [1] was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. [2] [3] He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and ...
The painting depicts the ceremony at St George's Chapel at Windsor Castle. It portrays forty-nine of those present. The Prince would go on to reign under his regnal title Edward VII from 1901 to 1910, giving his name to the Edwardian era. Queen Victoria was apparently unimpressed by the painting, and did not wish to buy it unlike Hayter's ...
[1]: 99 A successful exhibition of his work was held at the Brook Street Art Galleries in 1931, with proceeds going to his sisters. [1]: 101 During this period Wain still drew cats, some of them stylised, but also drew landscapes in vivid colours. At Christmas he participated in decorating the wards, as he had done at Bethlem, and painted ...
In the United Kingdom, the Edwardian era was a period in the early 20th century that spanned the reign of King Edward VII from 1901 to 1910. It is commonly extended to the start of the First World War in 1914, during the early reign of King George V .
In 1907, he wrote a book ‘Wolverhampton Art Gallery Pictures’ which became the first guide-book of Wolverhampton Art Gallery. Written in a form of a conversation with a lady-friend, it provides useful information about the ways of local art patronage, early years of Wolverhampton Art Gallery and art criticism of the Edwardian period.
In it, Atkinson appears naked to the waist: it is a strikingly eroticised portrayal unintentionally reminiscent of soft pornography of the Edwardian era, and indicates that she was by no means hidebound by Edwardian convention. This bizarre painting, somewhat similar to works of a decade earlier by the German painter Arnold Boecklin, represents ...
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