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Achieving truly realistic reproduction requires speakers capable of much higher levels than this, ideally around 130 dB SPL. Even though the level of live music measured on a (slow responding and RMS reading) sound level meter might be in the region of 100 dB SPL, programme level peaks on percussion will far exceed this. Most speakers give ...
Line level is the specified strength of an audio signal used to transmit analog sound between audio components such as CD and DVD players, television sets, audio amplifiers, and mixing consoles. Generally, line level signals sit in the middle of the hierarchy of signal levels in audio engineering.
In other media, such as underwater, a reference level of 1 μPa is used. [9] These references are defined in ANSI S1.1-2013. [10] The main instrument for measuring sound levels in the environment is the sound level meter. Most sound level meters provide readings in A, C, and Z-weighted decibels and must meet international standards such as IEC ...
In "professional" recording equipment, this reference level is usually +4 dBu (IEC 60268-17), though sometimes 0 dBu (UK and Europe – EBU standard Alignment level). 'Test level', 'measurement level' and 'line-up level' mean different things, often leading to confusion.
This stands for Level, as in the sound pressure level measured through a microphone or the electronic signal level measured at the output from an audio component, such as a mixing desk. Measurement results depend on the frequency weighting (how the sound level meter responds to different sound frequencies), and time weighting (how the sound ...
The term loudspeaker may refer to individual transducers (also known as drivers) or to complete speaker systems consisting of an enclosure and one or more drivers.. To adequately and accurately reproduce a wide range of frequencies with even coverage, most loudspeaker systems employ more than one driver, particularly for higher sound pressure level (SPL) or maximum accuracy.
The first research on the topic of how the ear hears different frequencies at different levels was conducted by Fletcher and Munson in 1933. Until recently, it was common to see the term Fletcher–Munson used to refer to equal-loudness contours generally, even though a re-determination was carried out by Robinson and Dadson in 1956, which became the basis for an ISO 226 standard.
In consumer audio electronics, the level differences are called "intensity" differences, but sound intensity is a specifically defined quantity and cannot be sensed by a simple microphone. Sound intensity level is a logarithmic expression of sound intensity relative to a reference intensity.