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A 17th-century broadside ballad paid homage to the feat of George's dragon slaying. Titled "St. George and the Dragon", the ballad considers the importance of Saint George in relation to other heroes of epic and Romance, ultimately concluding that all other heroes and figures of epic or romance pale in comparison to the feats of George. [41]
St. George and the Dragon is a small oil on wood cabinet painting by the Italian High Renaissance artist Raphael, painted c. 1505, and now in the National Gallery of Art in Washington, D.C. The saint wears the blue garter of the English Order of the Garter , reflecting the award of this decoration in 1504 to Raphael's patron Guidobaldo da ...
"St. George and the Dragon," or "An Excellent Ballad of St. George and the Dragon" is a 17th-century ballad that considers the account of England's patron saint, [1] St. George, and his famous defeat of a dragon. Printed on a broadside, "St. George and the Dragon" is a ballad with less of a narrative about the St. George and the Dragon episode ...
Saint George and the Boy Scouts, including a woodcut of a Scout on horseback slaying a dragon; A prayer for St George's Day; St. George; St. George and the Dragon: An Introduction; Greatmartyr, Victory-bearer and Wonderworker George Orthodox icon and synaxarion for 23 April
Detail showing the use of elk antlers on the dragon's head. The main group is 3.75 metres (12.3 ft) tall, [5] and stands on a wooden plinth that makes the total height c. 6 metres (20 ft). [2] The scale of the sculpture is larger-than-life. It depicts St. George on horseback, fighting with the dragon.
Saint George or Saint George and the Dragon is a small painting by the Italian Renaissance artist Raphael, executed c. 1503–1505. It is housed in the Louvre in Paris. A later version of the same subject is the Saint George and the Dragon in the National Gallery of Art in Washington, D.C.
The slaying of the dragon by Saint George was a popular motif for early painters. The legend relates how the city of Silene in Libya was being terrorised by a dragon and the townspeople eventually forced to provide it with a supply of victims chosen by lot.
Vittore Carpaccio's Saint George and the Dragon was part of a painting cycle that was commissioned in 1502 by the Scuola di San Giorgio degli Schiavoni.The Schiavoni (meaning "Slavs" in the Venetian dialect and referred specifically to the Dalmatians from the Dalmatia region of modern day Croatia) commissioned the Scuola deli Cycle during the time of the Ottoman wars in Europe. [1]
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