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The ragas within the chakra differ only in the dhaivatam and nishadam notes (D and N), as illustrated below. The name of each of the 12 chakras suggest their ordinal number as well. [1] [4] Indu stands for the moon, of which we have only one – hence it is the first chakra. Nētra means eyes, of which we have two – hence it is the second.
[27] [note 1] This subtle body is energy, while the physical body is mass. The psyche or mind plane corresponds to and interacts with the body plane, and the belief holds that the body and the mind mutually affect each other. [29] The subtle body consists of nadi (energy channels) connected by nodes of psychic energy called chakra. [5]
The ragas within the chakra differ only in the dhaivatham and nishadham notes (D and N), as illustrated below. The name of each of the 12 chakras suggest their ordinal number as well. [2] [4] Indu stands for the moon, of which we have only one - hence it is the first chakra. Netra means eyes, of which we have two - hence it is the second.
These ragas have all seven swaras (notes) in their scales (only one of each swara, Sa, Re, Ga, Ma, Pa, Dha, Ni), following strict ascending and descending scales and are sung in all octaves. Example of melakartha ragas are: Shankarabharanam, Kalyani, Natabhairavi, Chala Nattai, Harikambhoji, Kharaharapriya, Mayamalavagowla, and Chakravakam.
Chakravakam scale with Shadjam at C. It is the 4th melakarta in the 3rd chakra- Agni.The mnemonic name is Agni-Bhu.The mnemonic phrase is sa ra gu ma pa dhi ni. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
The adhista divides the octave into two parts or anga – the purvanga, which contains lower notes, and the uttaranga, which contains higher notes. Every raga has a vadi and a samvadi. The vadi is the most prominent svara, which means that an improvising musician emphasizes or pays more attention to the vadi than to other notes.
Dāṭu varase are exercises used to learn the swarams in zig-zag fashion, so that more control of the notes and different combinations are achieved. Example, sa ma ri ga, sa ri ga ma , and so on. Each of these exercises are set to different tālams , so that different rhythm aspects are learnt.
Shanmukhapriya scale with shadjam at C. It is the 2nd rāgam in the 10th chakra Disi.The mnemonic name is Disi-Sri.The mnemonic phrase is sa ri gi mi pa dha ni. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):