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Adagietto – slower than andante or slightly faster than adagio (46–80 bpm) Lento – slow (52–108 bpm) Andante – at a walking pace, moderately slow (56–108 bpm) Andantino – slightly faster than andante, but slower than moderato (80–108 bpm) (although, in some cases, it can be taken to mean slightly slower than andante)
The march went through several versions before arriving at the popular orchestral version known today. In September 1888 Chabrier wrote to his publisher that he would be orchestrating six piano pieces: four pieces from his piano suite Pièces pittoresques (which would become his Suite pastorale), as well as La marche française and the Andante in F. [1]
In time (i.e. the performer should return to the stable tempo, such as after an accelerando or ritardando); also may be found in combination with other terms such as a tempo giusto (in strict time) or a tempo di menuetto (at the speed of a minuet) ab (Ger.) off, organ stops or mutes abafando (Port.) muffled, muted abandon or avec (Fr.)
Less of a walking pace than andante (so slightly quicker) A tempo: to time: Return to previous tempo Fermata: held, stopped, orig. Latin firmo "make firm, fortify" Holding or sustaining a note Grave: grave, solemn: Slow and solemn tempo (slower than largo) Largo: broad: Slow and dignified tempo Largamente: broadly: Slow and dignified tempo ...
The suite version does not include the Andantino that precedes and follows the incidental music version. At only 34 measures, the Adagietto is the shortest number in the score of either suite, but because of its slow tempo, it can last more than 3 minutes, a longer performance duration than that of the Minuetto's 162 measures.
No.1 Moderato - Allegro moderato - con fuoco - Tempo I° No.2 Andante - Agitato e vigoroso - Tempo I° - Adagio; No.3 Allegro moderato; No.4 Tempo di Saltarella, ma non troppo vivo; Book II (5-8): No.5 Praeludium. Allegretto scherzando; No.6 Andante ma non troppo - Presto - Allegro non troppo; No.7 Andante non troppo; No.8 Allegro risoluto ...
The Piano Concerto No. 8 in C major, K. 246, nicknamed Lützow Concert, was written by Wolfgang Amadeus Mozart in April 1776 in the same year as the Haffner Serenade (K. 250). [1] Countess Antonia Lützow, who was 25 or 26 years old at the time, was the second wife of Johann Nepomuk Gottfried Graf Lützow, the Commander of the Hohensalzburg ...
The pieces are frequently performed. Like Brahms's other late keyboard works, Op. 118 is more introspective than his earlier piano pieces, which tend to be more virtuosic in character. The six pieces are: Intermezzo in A minor. Allegro non assai, ma molto appassionato; Intermezzo in A major. Andante teneramente; Ballade in G minor. Allegro energico