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Adagietto – slower than andante or slightly faster than adagio (46–80 bpm) Lento – slow (52–108 bpm) Andante – at a walking pace, moderately slow (56–108 bpm) Andantino – slightly faster than andante, but slower than moderato (80–108 bpm) (although, in some cases, it can be taken to mean slightly slower than andante)
In strict tempo at a marching pace (e.g. 120 BPM) Allargando: broadening: Slowing down and broadening; becoming more stately and majestic, possibly louder Allegro: joyful; lively and fast: Joyful; moderately fast tempo Allegretto: a little bit joyful: Slightly less joyful than allegro (so slightly slower tempo) Andante: walking
In time (i.e. the performer should return to the stable tempo, such as after an accelerando or ritardando); also may be found in combination with other terms such as a tempo giusto (in strict time) or a tempo di menuetto (at the speed of a minuet) ab (Ger.) off, organ stops or mutes abafando (Port.) muffled, muted abandon or avec (Fr.)
No.1 Moderato - Allegro moderato - con fuoco - Tempo I° No.2 Andante - Agitato e vigoroso - Tempo I° - Adagio; No.3 Allegro moderato; No.4 Tempo di Saltarella, ma non troppo vivo; Book II (5-8): No.5 Praeludium. Allegretto scherzando; No.6 Andante ma non troppo - Presto - Allegro non troppo; No.7 Andante non troppo; No.8 Allegro risoluto ...
The Grande polonaise brillante in E-flat, set for piano and orchestra, was written first, in 1830–31. In 1834, Chopin wrote an Andante spianato in G, for piano solo, which he added to the start of the piece, and joined the two parts with a fanfare-like sequence. The combined work (both orchestrated version and solo piano version) was ...
Sheet music for the piano sonatas: Scores at the International Music Score Library Project "Music for piano, keyboard and organ". Archived from the original on December 31, 2009. Complete recording of Joseph Haydn's Piano Sonatas on a sampled Walter fortepiano and on a sampled Steinway D
The tempo of a slow movement can vary from largo to andante, though occasionally allegretto slow movements can be found, especially in works by Beethoven. It is usually in the dominant , subdominant , parallel , or relative key of the musical work's main key, but also in any variation or combination of them; the subdominant of the relative ...
The theme is drawn from the first movement of Wolfgang Amadeus Mozart's Piano Sonata in A, K. 331, and is first presented by the oboe and two clarinets before being repeated by strings. Its second part appears again in the oboe and clarinet supported by high strings, and then is again repeated by the string section.
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