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Shaggy also collaborated with Arash in the song "Donya" (Arabic & Persian: "دنیا", meaning "The World"). In April 2008, Shaggy was chosen to record the official anthem for the Mascots (Trix and Flix) of the Euro 2008 football tournament held in Austria and Switzerland. The song, "Feel the Rush", topped charts in most of Europe.
This list is of songs that have been interpolated by other songs. Songs that are cover versions, parodies, or use samples of other songs are not "interpolations". The list is organized under the name of the artist whose song is interpolated followed by the title of the song, and then the interpolating artist and their song.
In 2000, Shaggy released the album Hot Shot, which was certified 6× Platinum in the United States. The album featured the singles " It Wasn't Me " and " Angel ", the latter of which was built around two song samples – Merrilee Rush 's 1968 hit " Angel of the Morning " (which was remade in 1981 by Juice Newton ), and The Steve Miller Band 's ...
A chord is several notes sounded simultaneously. Two-note chords are called dyads, three-note chords built by using the interval of a third are called triads. Arpeggiated chord A chord with notes played in rapid succession, usually ascending, each note being sustained as the others are played. It is also called a broken chord, a rolled chord ...
44/876 is a collaborative album by English musician Sting and Jamaican musician Shaggy, also the thirteenth solo studio album.It was released on 20 April 2018 by A&M Records, Interscope Records and Cherrytree Records.
One simple chord substitute for IV is the "ii" chord, a minor chord built on the second scale degree. In the key of C major, the "ii" chord is "D minor", which is the notes "D, F, and A". As there are two shared notes between the IV and "ii" chords, a melody that works well over IV is likely to be supported by the "ii" chord.
A chord may also have chromatic notes, that is, notes outside of the diatonic scale. Perhaps the most basic chromatic alteration in simple folk songs is the raised fourth degree (♯) that results when the third of the ii chord is raised one semitone. Such a chord typically functions as the secondary dominant of the V chord (V/V).
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.