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"One Tin Soldier" is a 1960s counterculture era anti-war song written by Dennis Lambert and Brian Potter. Canadian pop group The Original Caste (consisting of Dixie Lee Innes, Bruce Innes, Graham Bruce, Joseph Cavender and Bliss Mackie) first recorded it in 1969 for both the TA label and its parent Bell label.
The songs employ the use of strings, horns, and organ which adds a swinging, pop-friendly sound. "One Tin Soldier" was a hit in Canada and reached No. 34 on the U.S. Billboard Hot 100 chart in 1970. [3] The follow-up single, "Mr. Monday", was a big hit in Japan and Canada but not in the United States. The two singles combined, worldwide, sold ...
Some anti-war songs lament aspects of wars, while others patronize war.Most promote peace in some form, while others sing out against specific armed conflicts. Still others depict the physical and psychological destruction that warfare causes to soldiers, innocent civilians, and humanity as a whole.
Coven was an American rock band formed in Chicago in the late 1960s. They had a top 40 hit in 1971 with the song "One Tin Soldier", the theme song of the movie Billy Jack. ...
The 4th chord in the One Tin Soldier progression is the tonic. If they were exactly the same progression, it might warrant mention, but so many musical pieces share parts of chord progressions that any mention of the similarities of these two works implies a significance that does not exists.
Disc jockey and music writer Brent Mann points out how some artists have been called a "one-hit wonder" despite having other charting singles; in these cases, one signature song so overshadows the rest of the artist's discography that only that song remains familiar to later audiences.
"Tin Soldier" is a song released by the English rock band Small Faces on 2 December 1967, written by Steve Marriott (credited to Marriott/Lane). The song peaked at number nine in the UK singles chart and number 38 in Canada. [4] It has since been covered by many other notable rock artists.
Young wrote the lyrics to "Ohio" after seeing the photos of the incident in Life Magazine. [6] On the evening that the group entered Record Plant Studios in Los Angeles, the song had already been rehearsed, and the quartet—with their new rhythm section of Calvin Samuels and Johnny Barbata—recorded it live in just a few takes.