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The phrase is spoken in Act 3, Scene 1 of the tragedy. Tybalt, a kinsman of the Capulets and cousin to Juliet, is dueling with Mercutio, a friend of Romeo from the Montague family. Romeo and Benvolio attempt to break up the fight. Mercutio, distracted, does not see his opponent and is fatally wounded by Tybalt under Romeo's arm.
A mock-Victorian revisionist version of Romeo and Juliet 's final scene (with a happy ending, Romeo, Juliet, Mercutio, and Paris restored to life, and Benvolio revealing that he is Paris's love, Benvolia, in disguise) forms part of the 1980 stage-play The Life and Adventures of Nicholas Nickleby. [144]
Mercutio dies from the wound, angering an already emotional Romeo. Enraged, Romeo duels and kills Tybalt in return, leading to his own exile by Prince Escalus. Tybalt is revealed to be Juliet's maternal first cousin, when Lady Capulet arrives at the scene where Tybalt lies dead, and cries "Tybalt, my cousin, O my brother's child!" —Act III
Romeo and Juliet (Italian: Romeo e Giulietta) is a 1968 period romantic tragedy film, based on the play of the same name by William Shakespeare. Directed and co-written by Franco Zeffirelli , the film stars Leonard Whiting as Romeo and Olivia Hussey as Juliet .
In the famous speech of Act II, Scene II [1] of the play, the line is said by Juliet in reference to Romeo's house: Montague. The line implies that his name (and thus his family's feud with Juliet's family) means nothing and they should be together. Juliet: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;
Romeo and Juliet, TH 42, ČW 39, is an orchestral work composed by Pyotr Ilyich Tchaikovsky. It is styled an Overture-Fantasy, and is based on Shakespeare's play of the same name. Like other composers such as Berlioz and Prokofiev, Tchaikovsky was deeply inspired by Shakespeare and wrote works based on The Tempest and Hamlet as well.
However the play is set in modern-day with Romeo arriving on stage riding a motorcycle in blue jeans and sunglasses. The Montague family is all white and the Capulet family all black adding a new dimension of racial conflict between the two families. Balcony scene remains unchanged and the ending is still a tragedy that unites the families.
Kenneth MacMillan's Royal Ballet production of Sergei Prokofiev's Romeo and Juliet premiered at the Royal Opera House, Covent Garden on 9 February 1965. [6] Though MacMillan had conceived the ballet for Lynn Seymour and Christopher Gable, for "bureaucratic reasons" Margot Fonteyn and Rudolph Nureyev danced the opening night, to MacMillan's disappointment. [7]