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In bowed string music, an indication to discontinue extended techniques such as sul ponticello, sul tasto or col legno, and return to normal playing. The same as "naturale". organ trio In jazz or rock, a group of three musicians which includes a Hammond organ player and two other instruments, often an electric guitar player and a drummer.
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Fortepiano by Paul McNulty after Walter & Sohn, c. 1805 A fortepiano [ˌfɔrteˈpjaːno] is an early piano.In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1700 up to the early 19th century.
The fortepiano dynamic as it appears in modern music. The expression fortepiano (sometimes called forte piano) is a sudden dynamic change used in a musical score, usually with the abbreviation fp, to designate a section of music in which the music should be played loudly (forte), then immediately softly (piano). [1]
Ex. 1 A figured bass line, and a realization for theorbo (Thomas Mace, 1676) [3] (play) Audio simulation Ex. 2 Four realizations of a short figured bass (1753) [4] (play) Ex. 3 A figured bass, and a guitar realization (Nicola Matteis, 1682) [5] (play) Ex. 4 Bach MS: the keyboard part is thought to be an extremely rare transcription of a live ...
This keyboard sonata, being the 34th according to the Hoboken-Verzeichnis classification, is scored for harpsichord or fortepiano, leaving the choice to the performer. The keyboard sonatas written after 1770 show Haydn's increased awareness of the dynamic and timbral possibilities on the fortepiano.
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs .
Gary Cooper (born 1968, London) [1] is an English conductor and classical keyboardist who specialises in the harpsichord [2] and fortepiano. [3] He is known as an interpreter of the keyboard music of Bach and Mozart, and as a conductor of historically informed performances of music from the Renaissance, Baroque, Classical and Romantic periods.
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