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Still life with fruit a nest and a lizard: 1710: Private collection: New York City Flowers in a glass vase with a dragonfly, on a marble slab: 1710: B 407: Schloss Fasanerie: Eichenzell, Fulda Flowers in a glass vase on a marble slab: ca. 1710: 77.5 cm x 62.3 cm: 1899.1.26: The Wilson: Cheltenham Still life of fruits, animals and insects on a ...
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
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Insects have found uses in art, as in other aspects of culture, both symbolically and physically, from ancient times. Artforms include the direct usage of beetlewing ( elytra ) in paintings, textiles, and jewellery, as well as the representation of insects in fine arts such as paintings and sculpture.
Rachel Ruysch (3 June 1664 – 12 October 1750) [1] was a Dutch still-life painter from the Northern Netherlands.She specialized in flowers, inventing her own style and achieving international fame in her lifetime.
Still life of game in a forest. Abraham Mignon or Minjon [1] (21 June 1640 – 27 March 1679), was a still life painter. [2] He is known for his flower pieces, still lifes with fruit, still lifes in forests or grottoes, still lifes of game and fish as well as his garland paintings. [3]
Joris Hoefnagel or Georg Hoefnagel (1542, in Antwerp – 24 July 1601, in Vienna) was a Flemish painter, printmaker, miniaturist, draftsman and merchant. He is noted for his illustrations of natural history subjects, topographical views, illuminations and mythological works.
The bird-and-flower motif started appearing in Japanese art around the Muromachi period during the 14th century, and developed its own distinct style. It also entered ukiyo-e woodblock printing, where it was known as kachō-e (花鳥絵). Especially the shin hanga movement produced a number of works with this motif starting in the Meiji era.