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[5] The colourful patterns and designs that are embroidered resulted in the name "Nakshi Kantha," [6] which was derived from the Bengali word "naksha," referring to artistic patterns. [7] Early kanthas had a white background accented with red, blue, and black embroidery; later, yellow, green, pink, and other colours were also included.
The USPS press release acknowledges Kelly's pioneering of a "distinctive style of abstraction based on real elements reduced to their essential forms." Ten works are represented, including Yellow White, Colors for a Large Wall, Blue Red Rocker, Spectrum I, South Ferry, Blue Green, Orange Red Relief (for Delphine Seyrig), Meschers, Red Blue and ...
Mask for separating beams for red, green, and blue part of displayed image 7. Phosphor layer with red, green, and blue zones 8. Close-up of the phosphor-coated inner side of the screen Color wheel with RGB pixels of the colors RGB phosphor dots in a CRT monitor RGB sub-pixels in an LCD TV (on the right: an orange and a blue color; on the left ...
Bleu I and Bleu III are nearly identical to Bleu II with exactly the same backgrounds of matching color and simple lines and shapes. To animate the sparseness of Bleu II ' s canvas, Miró includes the dynamic red line on the left side of the painting, conveying a sharp shock in the calm blue surface. He also employs the series of bold, defined ...
Anatolian double-niche rug, Konya region, circa 1750–1800. LACMA M.2004.32 Bergama rug, west Anatolia, first half of 18th century.. Anatolian rug or Turkish carpet (Turkish: Türk Halısı) [1] is a term of convenience, commonly used today to denote rugs and carpets woven in Anatolia and its adjacent regions.
No. 6 (Violet, Green and Red) is a 1951 painting by the Latvian-American expressionist artist Mark Rothko. It was painted in 1951. In common with Rothko's other works from this period, No. 6 consists of large expanses of colour delineated by uneven, hazy shades. In 2014, it became one of the most expensive paintings sold at auction. [1]
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