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Polytechnique is a 2009 Canadian drama film directed by Denis Villeneuve and written by Villeneuve and Jacques Davidts.Starring Maxim Gaudette, Sebastien Huberdeau, and Karine Vanasse, the film is based on the 1989 École Polytechnique massacre and re-enacts the events of the incident through the eyes of two students (Huberdeau and Vanasse) who witness a gunman (Gaudette) murder fourteen young ...
Along with Incendies, Villeneuve won the Rogers Best Canadian Film Award in 2009 for the film Polytechnique, the first Canadian filmmaker to win it twice in a row. [54] Incendies also won the Prix Jutra for Best Film , Director, Screenplay, Actress (Azabal), Editing, Cinematography, Art Direction, Costumes and Sound.
Polytechnique (film) This page was last edited on 10 June 2023, at 06:12 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License ...
The École Polytechnique massacre (French: tuerie de l'École polytechnique), also known as the Montreal massacre, was an antifeminist mass shooting that occurred on December 6, 1989, at the École Polytechnique de Montréal in Montreal, Quebec, Canada. Fourteen women were murdered; another ten women and four men were injured.
At Cannes, the film received the Canal+ prize for the best short film in its program. [4]The film received a special jury citation for the Toronto International Film Festival Award for Best Canadian Short Film at the 2008 Toronto International Film Festival, [5] and won the Genie Award for Best Live Action Short Drama at the 29th Genie Awards [6] and the Prix Jutra for Best Short Film at the ...
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École polytechnique (French pronunciation: [ekɔl pɔlitɛknik], lit. ' Polytechnic School '; also known as Polytechnique or l'X) is a grande école located in Palaiseau, France. It specializes in science and engineering and is a founding member of the Polytechnic Institute of Paris. [3]
The film revolves around an elderly couple aging together. The film premiered at the 2012 Cannes Film Festival and received the Palme d'Or, Haneke's second. [22] Ella Tayor of NPR praised the film describing it as "Touching and tragic" adding "Haneke implicates us in the full range of human capacity". [23]