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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
This is a list of Protected Designation of Origin (PDO) products by country. Protected Designation of Origin is a Geographical Indication under EU and UK law. Applications can be made both for EU/UK product designation and for other territories.
pianissimo (pp) very gently (i.e. perform very softly, even softer than piano). This convention can be extended; the more p s that are written, the softer the composer wants the musician to play or sing, thus ppp (pianissimissimo) would be softer than pp. Dynamics in a piece should be interpreted relative to the other dynamics in the same piece.
The accompaniment must follow the singer who can speed up or slow down at will. Adagio: ad agio, at ease: Slow and easy (but not as slow as largo) Adagietto: a bit at ease: 1. Slightly less easy than adagio (so slightly faster); 2. a short adagio composition Affrettando: becoming hurried: Accelerating Alla marcia: as a march
Algerian wine and foreign competition made the overproduction crisis worse, since Spain and Italy also had surplus wine to sell. [16] Harvests were poor in 1902 and 1903 due to bad weather, and France produced 3,500 to 4,000 million liters. The prices of wine in these years were 16 francs, then 24 francs per hundred litres. [11]
Of its flagship wine produced from the Romanée-Conti vineyard, the wine critic Clive Coates has stated, The scarcest, most expensive - and frequently the best - wine in the world ... If you can lay your hands on a case - and that is a big 'if' - you would have to pay £5,000 or more for a young vintage, double or triple for a wine in its prime