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Samples of Monospaced typefaces Typeface name Example 1 Example 2 Example 3 Anonymous Pro [1]Bitstream Vera Sans Mono [2]Cascadia Code: Century Schoolbook Monospace
The Identifont web site is an online directory of typefaces, with main function a tool to help identify a font from a sample. [1] It has been described as the largest Internet directory of typefaces. [2] Identifont may be used to find a font similar to a given one. [3] It also allows potential purchasers to make comparisons of typeface ...
This list of fonts contains every font shipped with Mac OS X 10.0 through macOS 10.14, including any that shipped with language-specific updates from Apple (primarily Korean and Chinese fonts). For fonts shipped only with Mac OS X 10.5, please see Apple's documentation.
ITC Kristen is a casual script typeface consisting of two weights designed by George Ryan for the International Typeface Corporation (ITC). It was inspired by a handwritten menu at a Cambridge, Massachusetts restaurant, [1] [2] and has an asymmetric structure suggesting a child's handwriting.
Vincent Connare (born September 26, 1960) [1] [2] is an American type designer and former Microsoft employee. Among his creations are the fonts Comic Sans and Trebuchet MS, as well as the Man in Business Suit Levitating emoji.
The fonts were originally developed by Steve Matteson as Ascender Sans and Ascender Serif, and were also the basis for the Liberation fonts licensed by Red Hat under another open source license. [2] In July 2012, version 2.0 of the Liberation fonts, based on the Croscore fonts, was released under the SIL Open Font License. [6]
The Public Type or PT Fonts are a family of free and open-source fonts released from 2009 onwards, comprising PT Sans, PT Serif and PT Mono.They were commissioned from the design agency ParaType by Rospechat, a department of the Russian Ministry of Communications, to celebrate the 300th anniversary of Peter the Great's orthography reform and to create a font family that supported all the ...
Galliard is based on the sixteenth-century type of Robert Granjon. [2] According to Alexander Lawson, "The name Galliard stems from Granjon's own term for an 8-point font he cut about 1570. It undoubtedly refers to the style of the face, for the galliard was a lively dance of the period."