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He originally conceived the painting as showing the two arguing over the French emperor's desire to divorce his wife Josephine in order to allow him to make a dynastic marriage with Marie Louise, the daughter of Emperor Francis I of Austria. When Pius refused to grant a divorce, Napoleon imprisoned him in France. [4]
Napoleon I at Fontainebleau on March 31, 1814; Napoleon I on His Imperial Throne; Napoleon in Imperial Costume; Napoleon in the Wilderness; Napoleon Leading the Army over the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Receiving the Queen of Prussia at Tilsit; Napoleon's Return from Elba (painting) Napoleon ...
The Emperor Napoleon in His Study at the Tuileries (1812), exhibiting the hand-in-waistcoat gesture. The hand-in-waistcoat (also referred to as hand-inside-vest, hand-in-jacket, hand-held-in, or hidden hand) is a gesture commonly found in portraiture during the 18th and 19th centuries. The pose appeared by the 1750s to indicate leadership in a ...
Napoleon's Tomb' (French title: L'Apothéose de Napoléon) is an 1821 oil painting by the French artist Horace Vernet. [ 1 ] [ 2 ] An allegory , it depicts the apotheosis of the former emperor of France Napoleon following his death in exile on the island of Saint Helena .
The painting documents an historical event, when Napoleon, after the fall of Paris, on March 31, 1814, was forced to abdicate on April 4, to his young son, Napoleon II, and finally, and without conditions, on April 6.
Napoleon Receiving the Queen of Prussia at Tilsit (French: Napoléon Ier reçoit la reine de Prusse à Tilsitt, 6 juillet 1807) is an 1837 history painting by the French artist Nicolas Gosse. [1] It depicts a scene on 6 July 1807 during the negotiations of the Treaty of Tilsit during the Napoleonic Wars .
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[1]: 68 When the painting was sold in 1890, it reached a record price for a painting by a contemporary artist. It is currently housed in the Musée d'Orsay , Paris. According to the art historian Constance Hungerford, Meissonier's work reflects the somber realities of Napoleon's final military campaign, emphasizing themes of loss, resilience ...